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| CYM

Derek Walker in conversation with artists Paskaline Maiyo and RightKeysOnly.

Introduction

The Future Generations Report 2025 recognises that artists and creatives have an important role to play in shaping the development and delivery of public services, to support innovation in all areas of public life. Artists and creatives can not only connect us and communicate complex issues, but can also inspire, challenge and help us to imagine the positive future we are striving towards. As part of the Commissioner’s commitment to explore innovative approaches to expand how we engage cultural freelancers across our work, he commissioned five artists to respond creatively to the issues and themes of the Future Generations Report 2025.

Paskaline Maiyo, Flatboy (Seren Thomas), Kyle Stead, Teulu von Flap and Rightkeysonly were selected via an open call and invited to develop their work and expressing their own views.

Their work brings some of the issues the report considers to life in vibrant and powerful ways, grounding them in the real-life experiences of communities in Wales and offering both inspiration and challenge to those delivering public services.

Take a look at all the commissioned pieces below.

Meet the Artists

Rightkeysonly

Mi

Rightkeysonly is an E.D.M. artist known for bringing experimental beats and heavy baselines to the music sector of Wales. Keys is also a PhD student and founder of Amplifying Accessibility, a project supporting Disabled music industry workers and non-Disabled individuals to confidently engage in accessible practices.

Cheb Arts (Paskaline Maiyo)

Tik’ Tok’ (Living Canvas for Climate Change)

Paskaline Maiyo is a Kenyan-born artist based in the UK, specializing in face painting as a medium to celebrate African heritage and address social issues. With a background in Land Administration, she integrates art, fashion, and film in her work. Her exhibitions include Manchester Museum, Newport Museum, Ffoto Gallery, St. Fagan’s Museum, Heywood Civic Centre and various cultural platforms.

Flatboy (Seren Thomas)

Map of Dreams

Flatboy (Seren Thomas) is an artist, illustrator and social researcher in Cardiff. Their art centres everyday experiences of community, togetherness and relationships. Themes their work has addressed include trans experiences, health inequalities, Welsh history, activism and the Welsh language. They are interested in how art can be used to document and distribute research and knowledge by and for marginalised communities.

Kyle Stead

What’s Our Future

Kyle Stead is a neurodivergent benefit class artist, who creates raw and authentic work from lived experience. As a school dropout, he champions alternative education using the creative industry as a space for discovery and celebration. He fights for better neurodivergent working conditions. Kyle is a Weston Jerwood Creative Bursary recipient 2020-2022.

Teulu von Flap

Balancing Act/Gweithred Cydbwyso

Teulu Von Flap is a family of four (Kathryn Ashill, James Ó hAodha, Teifion and Taran) based on Barry Island. As a family they enjoy using found materials and craft to build elaborate costumes, dens and celebratory backdrops. Through Neurodivergence and Autism Spectrum Disorder (ASD) they process things differently - their love of details and shared valuing of repetition and obsession manifests in the things they make together.

Kathryn Ashill’s work is rooted in live performance, video and installation drawing on lived experiences within a working-class identity. Theatre and the DIY aesthetic of amateur dramatics allow them to perform multiple roles, both performer and choreographer of their work. Ashill graduated with a BA Honours in Fine Art (Combined Media) from Swansea Metropolitan University (now University of Wales Trinity St Davids) 2007, and gained an MFA degree from Glasgow School of Art in 2015. Kathryn’s recent solo exhibitions include ‘Principal Boy’(2022) at G39 which explored their drag identity and lost youth, and ‘FOOLS GOLD’- a film installation for the Glynn Vivian Gallery and as part of receiving the Sir Leslie Joseph Award in 2021. Alongside their practice, Kathryn is currently a practice based PHD candidate at the University of Manchester, where they’re exploring the potential of inter-species collaboration across the fields of contemporary performance art, animal therapy and biotherapies. Kath is currently one of eight artists on the Future Wales Fellowship 2022 with the Arts Council of Wales in partnership with Natural Resources Wales and has been selected as a commissioned artist for Greenman festival 2023.

James Ó hAodha [O-Hay] (Ireland) is a visual artist based in South Wales. Ó hAodha’s work is invested in the creation of encounters, utilising performance, intervention and exchange -with a shared focus on how temporal encounters can inhabit and intersect with the space of the gallery. Recent work explores the potential of theatrical setting and lighting, and delves into dramatic trope and gesture and their insinuation in various media.⁠
Graduating in Sculpture from NCAD Dublin in 2009, Ó hAodha completed the MFA program at Glasgow School of Art in 2017, pursuing ongoing interests in performance and video work and exploring the physical agency of the moving-image.⁠
Ó hAodha has been involved in projects with Hugh Lane Gallery, IE; The Lab, Dublin; Dublin City Council; Mermaid Arts Centre, Bray; The Joinery, Dublin; The Drawing Project, Dun Laoghaire; Fringe Festival, Dublin; Chapter Arts Centre, Cardiff; Irish Museum of Contemporary Art; and Tulca, Galway amongst others.

Song: 'Mi' by Rightkeysonly

artist commissions

About: Mi by Rightkeysonly

Rightkeysonly says, “Miaddresses climate action from a Disability accessible perspective. 

Combining samples of birds, bellowing wind and tree branches with synth bass lines and electronic strings, I was able to embed nature as a strong collaborator within the track, gifting the natural world with a voice it does not often have.

Interestingly, this is a similar experience shared by many members of the Disabled community. As a Disabled person, I have often recognised the irony in stating we must all be involved in the conversation on climate change whilst not providing accessible spaces for Disabled people to contribute. 

After reading the Communities and Climate Change in a Future Wales: Storybook, I recognised that members of the Disabled community had great fears of climate change, with some even experiencing further health implications due to the amount of pollution in the air. Some Disabled individuals also experienced implications on their wellbeing due to climate actions that directly contradicted with their needs, such as using less electricity or generating less waste. The No Climate Action Without Us report and a few Google searches highlighted simple, cost-effective, ways to adapt climate actions to better support the needs and voices of Disabled people, such as painting recycling bins colour-blind friendly colours and ensuring community hubs have ramp access to support wheelchair users. These papers inspired the lyrics. 

With elements of the Welsh National Anthem integrated into the chorus and a pounding drum beat to accompany it,Minot only forces the listener to recognise the fears and adverse experiences of the Disabled community in Wales, but also highlights how we can work together to build a climate friendly Wales that is inclusive of the Disabled communities that call it home.” 

Tik’ Tok’ (Living Canvas for Climate Change) - Paskaline Maiyo

artist commissions

About: Tik’ Tok’ (Living Canvas for Climate Change)Paskaline Maiyo 

Tik’ Tok’ (Living Canvas for Climate Change), is an evocative artwork that transforms the human body into a visual narrative, illustrating the progression of a day from morning to evening to convey the causes, impacts, and solutions related to climate change. 

  • Morning: The Pristine Beginning 

The artwork’s lower section, spanning from the toes to the knees, depicts a lush green forest bathed in the light of a rising sun over the Sea and the Mountains. This imagery symbolizes the Earth’s original, unspoiled state—a fresh, sustainable world untouched by pollution. It represents the dawn of a new day, filled with potential and harmony. 

  • Midday: The Crisis Unfolds 

Moving upward, the central portion of the body—from above the knees through the thighs to the chest—captures the turmoil of midday, a time when human activities peak. This section portrays various environmental degradations: 

  • Deforestation: The thighs illustrate the destruction of forests, highlighting the loss of vital ecosystems.
  • Water Pollution: Depictions of industrial waste and human refuse contaminating water bodies emphasize the crisis of polluted waterways.
  • Air Pollution: Emissions from industrial smoke and fumes are shown, underscoring the deterioration of air quality.
  • Wildfires: Imagery of rampant fires reflects the increasing frequency and intensity of wildfires contributing to deforestation and loss of good soil intensity.
  • Pursuit of Wealth: A hand holding money signifies society’s relentless chase for economic gain at the environment’s expense.

Adjacent to this depiction of crisis is a vision of a “Green City,” illustrating a climate-conscious world: 

  • Sustainable Infrastructure: Green buildings equipped with solar panels and wind turbines represent the adoption of renewable energy sources.
  • Thriving Ecosystems: Abundant trees, fruit-bearing plants, and freely roaming animals depict a balanced coexistence between humans and nature.
  • Community Engagement: Scenes of people engaged in discussions and daily activities, children playing in central playgrounds, and individuals fishing from boats highlight the importance of public involvement in environmental decision-making.

A poignant element is the handshake, where one arm appears engulfed in flames while the other remains unscathed. This symbolizes the daily choices we face, pursuing harmful practices leading to destruction or adopting sustainable decisions fostering restoration. Midday Crisis and Green city is Positioned over vital organs—the heart, lungs, liver, kidneys, uterus, and bladder— this section emphasizes the critical stakes of climate change, affecting the very core of life. 

  • Evening: Restoration and Renewal 

The uppermost part of the artwork, symbolizing evening, portrays a phase of restoration. Animals are shown returning to their habitats, and a pristine waterfall cascade, represented by the model’s flowing hair. The model’s serene expression suggests a deep inhalation of fresh air, embodying a sense of renewal and the fulfillment that comes from making positive environmental choices throughout the day. 

Overall, the model’s pose, gazing intently at an hourglass, serves as a powerful reminder of the urgency of time. It emphasizes that the window for impactful action against climate change is narrowing, urging immediate and conscious efforts to preserve our planet.

Map of Dreams by Flatboy (Seren Thomas)

artist commissions

About: Map of Dreams by Flatboy (Seren Thomas)

Map of Dreams captures the artist’shopes for what a Wales which fully understands and operates on a social model of health could one day look like. It highlightshow health is not just about our bodies, but it is connected to all areas of life, and it is especially important to how we, as a society and as individual people, care for one another. The map illustratesthe importance co-production, prevention and alleviating inequalities to the future health of Wales.In addition to visions of what could be, the map takes inspiration from initiatives that are already operating in Wales, showing how the work towards a socially informed and community driven understanding of health in Wales has already begun. 

artist commissions

About: What's Our Future by Kyle Stead

Set against the dramatic backdrop of the Rhondda Valley from Maerdy Mountain, Kyle delivers a powerful spoken word piece that demands action. He highlights the critical need for improved mental health support, greater investment in arts and culture, and a renewed appreciation for nature’s healing power. He passionately believes institutions must prioritise individual well-being and fair pay, while also acknowledging the essential link between our environment and mental health. This conviction extends to educational settings, where Kyle believes enhanced learning environments are vital for students’ mental and emotional development.  

Kyle’s inspiration is driven by the lived reality of neurodivergence in consistently unsupportive educational and professional environments, Kyle refuses to be silenced; the persistent undervaluing of his contributions ignites a fierce determination to fight for fair pay across all sectors. 

About: Balancing Act/Gweithred Cydbwyso

Balancing Act/Gweithred Cydbwyso is a performance to film where Teulu Von Flap try to keep and tip physical balance through play. This film work focuses on factors that will contribute to future health and well-being such as climate, culture, food inequality, housing crisis, health and culture, through the lens of family dynamic. These themes are represented through animation and prop, material and digital as Teulu Von Flap move between real and virtual spaces; and endeavour to find meeting points to play through these complex issues. Through this, they attempt to uphold the themes- a visual articulation of our attempt to work together physically and metophorically to achieve the Cymru Can missions.

Artist Commissions: Future Generations Report 2025

FG Report 2025

Read the Future Generations Report 2025

See the artist commissions featured in the Future Generations Report 2025.

Future Generations Report 2025